Bidar Fort – The erstwhile capital of the Bahmani Kingdom

Bidar Fort is situated in Bidar city of the Indian state of Karnataka. Originally built in the 8th century, the old fort of Bidar was captured in 1321-22 AD by Prince Ulugh Khan of the Tughlaq dynasty, who later on became Sultan Muhammad bin Tughluq of Delhi. With the establishment of the Bahmani Sultanate in 1347, Bidar was occupied by Sultan Alauddin Bahman Shah. During the rule of Ahmad Shah I (1422-1486), Bidar was made the capital of Bahmani Kingdom. He rebuilt the old fort and erected beautiful madrasas, mosques and palaces inside it. Long and winding fort walls were constructed out of stone and mortar by Persian and Turkish architects.

Bidar fort was captured by the independent Bijapur Sultanate in 1619-20 but fell to the Mughal viceroy Aurangzeb in 1657, and was formally absorned by the Mughal Empire in 1686. In 1724 Bidar became part of the Asaf Jahi Kingdom of the Nizams. Nawab Mir Said Muhammad Khan, also known as Salabath Jung, who was the third son of Asaf Jah I ruled from Bidar fort from 1751 to 1762, till his brother Mir Nizam Ali Khan also known as Asaf Jah II, imprisoned him and later killed him in the fort on 16th September 1763. The old name of Bidar “Mohammedabad” refers to the rule of Salabath Jung. In 1956 when the state of Hyderabad was partitioned, Bidar fort became part of the newly formed Mysore state, now Karnataka.

The Bidar fort was constructed on the edge of a plateau and has a haphazard rhombus-shaped layout. The present day fortress was rebuilt using red laterite stone around the old fort in 1428 by Ahmed Shah Bahman. The fort is 1.21 km long and 0.80 km in breadth. The fort walls measure 2.5 km on the outside and include within numerous buildings, arches, pavilions, mosques, gateways and gardens. To the north and east, steep cliffs provide natural protection to the moat and the glacis elsewhere, the walls are protected by a unique tripe channeled moat. There were seven gates to the Fort.

There are 37 bastions on the fort walls, with cannon made of bars of metal welded together and held together by metal hoops were mounted on the bastions. The fort has number of monuments within the fortress complex. Prominent among them are the Rangin Mahal, Takht Mahal, the Jami masjid and the Sola Khamba Masjid (Sixteen pillar mosque). Most of these structures are in ruins now.

The spiked doors of the Bidar fort
Another gate of the Bidar Fort
An arched door inside the fort
The triple moat of Bidar fort
Another arched gate inside the fort
Inside the fort – ruins
Inside the fort
One of the buildings inside the fort
More structures inside the fort
Fort interior
The dome of the Sola Khamba Masjid
Arched gateways inside the fort
More ruins inside the fort
The steep cliff at the north end
More structures inside the fort
One of the arched gateways inside the fort
One of the bastions and the moat below
Inside the fort

How to reach:
Bidar railway station is well connected with the rest of the country.

Bidar is well connected with the nearby cities by a network of buses by both Karnataka State Road Transport Corporation and private buses. Hyderabad is 147 kms from Bidar.

Mirjan Fort – An architectural wonder in laterite stone

The Mirjan Fort is located on the west coast of the Indian state of Karnataka. The fort was built in the 16th century by Queen Chennabhairadevi of Gersoppa. She ruled for 54 years and also lived in the fort. During her reign the port at Mirjan was used for shipping pepper, saltpetre (Potassium nitrate) and betel nut to Surat. The fort known for its architectural elegance, was the location for several battles in the past.

In 1757 the Marathas had seized the Mirjan Fort. The event that led to the capture of the fort was due to the death of Basappa Naik, the last ruler of Bednur, in 1755. His wife has taken control, representing her 17 year old adopted son, Chanbasaviah. Since her adopted son opposed her taking a “paramour”, she got him murdered. This had resulted in a revolt by the agitated local people, and taking advantage of the situation the Marathas had captured the fort.

You can see both Portuguese and Islamic influences in the fort’s construction. The fort’s round bastions, for example, are typical of Indian forts built by Islamic rulers. The single tall square lookout tower along the southern wall is characteristic of Portuguese military architecture of 1500s.

The fort is located on the bank of the Aganashini River. The mouth of the river is 12 km from the Mirjan village. The fort was built over an area of 10 acres with laterite stone. It has high walls and bastions. The fort has four entrances (one main and three subsidiary entrances) and many wells, which are interlinked and with access channels leading to the circular moat (used as defense measure to protect the fort) that once fully surrounded the fort, and leading to the canal works outside the fort’s limits. At each entrance, there are wide steps to enter the fort. The fort which was mostly in ruins was recently restored by the Archaeological department.

One of the bastions of the fort
The laterite built high walls and the bastions
Some of the excavated items scattered around this tree inside the fort
Inside the fort – gracing cattle
The wonderful view around the fort
The wonderful view around the fort
This part of the fort are still in ruins
One of the many wells inside the fort
Steps towards the well
The view of Aganashini River from the fort
Interior view of the fort
The prayer hall inside the fort
The watch tower and the flag hoisting tower inside the fort
Fort interior view
The round bastion and walls
The walls made in laterite stone
Fort interior view
One of the entrances
A secret path inside the fort
More views
More views

During the year 2000-01, ASI (Archaeological Survey of India) carried out excavations in the precincts of the fort. Antiquarian findings also included a gold coin minted in 1652 with inscriptions that attribute it to the Portuguese Viceroy Conde De Sarzedas during the reign of Joao IV, cannon balls, Chinese porcelain, clay tablets with Islamic inscriptions. Seven dumb-bells, 50 iron bullets, coins and designed earth pots belonging to Sarpmallika dynasty were also found during the excavations at the fort.

How to Reach:
It is about half a km from the National Highway 17 and 11 km from Gokarna, the Hindu pilgrimage center on the west coast of India.

Gulbarga Fort – Where the Bahmani Kingdom thrived…

Gulbarga fort is located not far from the Gulbarga city center in the Gulbarga district of the Indian state of Karnataka. The fort was originally built by Raja Gulchand, a feudatory of the Kakatiyas of Warangal. The fort was strengthened with heavy fortification by Alauddin Hasan Bahman Shah, the ruler of the Bahmani dynasty. Gulbarga was the capital of the Bahmani Kingdom from 1347 to 1424 AD with its headquarters at Gulbarga fort. In the year 1434 AD the capital was transferred to Bidar. It is said that with the establishment of the Bahmani Kingdom, the Muslim rule took firm roots in the Deccan. The Bahmani Sultans facilitated the immigrants from Iraq, Iran and Central Asia which changed the socio-cultural and religious life in the Deccan but was well amalgamated with Hindu traditions.

The fort was surrounded by a 30 feet wide moat and double fortification. A citadel was made in the center of the fort. This monumental structure was surrounded by 15 ramparts from inside with 26 cannons, some which are 8 meters long and is still well preserved.

The Jami Masjid is the most impressive structure inside the fort. It was built by Muhammad Shah I to commemorate Gulbarga as the capital of the Bahmini Sultanate. The Masjid was designed in line with the Great Mosque of Cordoba in Spain by a Moorish architect. It has a dimension of 216 x 176 feet. The mosque has no open courtyard. The outer passageways surround the prayer hall on three sides and have low open arcades with arches. They form a rectangular layout with ten bays each on the north and the south and seven bays on the east. It is an excellent example of Bahmani architectural style a combination of Persian, Moorish and Indian styles.

The Gulbarga Fort
The Gulbarga Fort
The Main Entrance of the Fort
The Main Entrance of the Fort
Gulbarga Fort - the moat and the bastions
Gulbarga Fort – the moat and the bastions
The fortification
The fortification
The fortification
The fortification
The fortification
The fortification
Inside the fort
Inside the fort
Inside the fort
Inside the fort
One of the structures inside the fort
One of the structures inside the fort
The remaining part of the citadel inside the fort
The remaining part of the citadel inside the fort
The remaining part of the citadel inside the fort
The remaining part of the citadel inside the fort
The remaining part of the citadel inside the fort
The remaining part of the citadel inside the fort
One of the canons positioned on top of the bastion
One of the canons positioned on top of the bastion
One of the canons positioned on top of the bastion
One of the canons positioned on top of the bastion
One of the canons positioned on top of the bastion
One of the canons positioned on top of the bastion
At the top of one of the bastions
At the top of one of the bastions
One of the canon balls scattered around the fort
One of the canon balls scattered around the fort
The Jami Masjid inside the fort
The Jami Masjid inside the fort
The Jami Masjid inside the fort
The Jami Masjid inside the fort
The Jami Masjid - details
The Jami Masjid – details
The Jami Masjid - details
The Jami Masjid – details
Around the fort
Around the fort
Around the fort
Around the fort
Around the fort
Around the fort
Around the fort
Around the fort

Shravanabelagola and the Gomateshvara Statue

Shravanabelagola is a city located near Channarayaptna of Hassan District in the Indian state of Karnataka. The Gomateshvara statue at Shravanabelagola is one of the most important tirthas (pilgrimage destinations) in Jainism. The town is a prominent centre for Jaina art, architecture, religion and culture for over 2,300 years. It is a town of ponds and temples. The name of this holy center is derived from the pond called ‘biligola’ (white pond) between two hills. It is believed that Chandragupta Maurya, the founder of the Maurya Dynasty and the Maurya Empire died here in 298 BC after he became a Jain monk and assumed an ascetic life style.

Shravanabelagola has two hills, Chandragiri and Vindhyagiri. The 58 feet tall monolithic statue of Gomateshvara (it is also referred as “Bahubali” by the Jains) is located on the Vindyagiri Hill. It is considered to be the world’s largest monolithic stone statue. The statue is carved beautifully from a single block of rock with accurate sense of proportion and expression. Gomata has curly really nice hair in ringlets on the head and long, large ears. His eyes are open as if viewing the world with detachment. The facial features are perfectly chiseled with a faint touch of smile at the corner of his lips and embody calm vitality. There is an anthill in the background which signifies his incessant penance and from where emerges a snake and creepers which twine around both his legs and his arms culminating as cluster of flowers and berries at the upper portion of the arms. The posture of meditation, of the digambara (nude) statue is known as ‘Kayotsarga’, symbolizing renunciation, self-control and subjugation of ego as the first step towards salvation. It represents the complete victory over earthly desires and needs that hamper spirtual ascent towards divinity.

The statue at Shravanabelagola was voted by the readers of “Times of India” a leading daily, as the first of the Seven Wonders of India by scoring 49% votes.

The base of the statue has an inscription in Prakrit, dating to 981 AD. The inscription praises the king who funded the effort and his general, Chavundaraya who erected the statue for his mother. Every twelve years, thousands of devotees congregate here to perform the Mahamastakabhisheka, a spectacular ceremony in which the statue is anointed with water, turmeric, rice flour, sugar cane juice, sandalwood paste, saffron, and gold and silver flowers.

The Vindhyagiri hill is about 470 feet above the ground and is of solid rock. It must be climbed barefoot. Tourists can use the main steps from the town consisting of dual flights of about 660 steps to the top which was cut out in the rock. You may see old people climb these steps however they are steep and it can be a hard climb. In summer the rock can get hot, so you may carry a pair of socks to be worn while climbing the steps. Old people who cannot climb can avail palanquin services. The palanquin bearers carry them on chair.

The 58 feet tall monolithic statue of Gommateshvara
The 58 feet tall monolithic statue of Gomateshvara
The steep flight of steps towards the Vindhyagiri hill
The steep flight of steps towards the Vindhyagiri hill
The view of the 'White Pond" from top of the Vindyagiri hill and in the backdrops you can see the Chandragiri hill
The view of the ‘White Pond” from top of the Vindyagiri hill and in the backdrops you can see the Chandragiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
At the top of Vindyagiri hill
The Gomateshwars statue at the top of the Vindyagiri hill
The Gomateshvara statue at the top of the Vindyagiri hill
The Gomateshwars statue at the top of the Vindyagiri hill
The Gomateshvara statue at the top of the Vindyagiri hill
Pilgrims offering prayers at the feet of the satue
Pilgrims offering prayers at the feet of the satue
Another view of the statue
Another view of the statue
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill
Amazing view from top of the Vindyagiri hill

Chandragiri hill is a small hill located just opposite to the Vindhyagiri hill. It is believed that Chandragupta Maurya, the founder of the Maurya dynasty, breathed his last in this hill. Steps have been cut out in this hill and the ascent is similar to that of Vindhyagiri. It is steep and hard to climb. The hill has memorials to numerous monks and shravakas who have meditated here. Chandragiri also has the tomb of Chandragupta Maurya. There are also several monuments of interest scattered around this hill.

The entrance to the Chandragiri hill
The entrance to the Chandragiri hill
Steps leading to the summit of Chandragiri hill
Steps leading to the summit of Chandragiri hill
The view of the pond from Chandragiri hill
The view of the pond from Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Bharatha statue at Chandragiri hill
Bharatha statue at Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
One of the inscriptions on the rock are protected by glass
One of the inscriptions on the rock are protected by glass
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
Various shrines at the top of Chandragiri hill
View of Vindyagiri hill from Chandragiri
View of Vindyagiri hill from Chandragiri
Amazing views of the surrounding areas from Chandragiri hill
Amazing views of the surrounding areas from Chandragiri hill
Amazing views of the surrounding areas from Chandragiri hill
Amazing views of the surrounding areas from Chandragiri hill
Amazing views of the surrounding areas from Chandragiri hill
Amazing views of the surrounding areas from Chandragiri hill

Sri Vidyashankara Temple at Sringeri

Sringeri is the site of the first matha (Sringeri Sharada Peetha) established by Adi Shankara in the 8th Century AD located on the banks of river Tunga. A ‘matha’ is a Sanskrit word means “cloister, institute or college” and it also refers to a monastery in Hinduism. Adi Shankara was the Indian philosopher and theologian who consolidated the doctrine of Advaita Vedanta and is credited with unifying and establishing the main currents of thought in Hinduism.

According to legend, Adi Shankaracharya is said to have selected the site as the place to stay and teach his disciples, because when he was walking by the Tunga river, he saw a cobra with a raised hood, providing shelter from the hot sun, to a frog about to spawn. Impressed with the place where natural enemies had gone beyond their instincts, he stayed here for twelve years.

Sringeri is home to the historic temples of Sri Sharadamba Temple and Sri Vidyashankara Temple. The Sharadamba temple is dedicated to the Goddess of learning and wisdom. The temple structure made in wood was damaged by a fire in the early 20th century and was rebuilt in the traditional south Indian Chettinadu style of temple architecture.

The Vidyashankara temple was built in commemoration of the pontiff Vidyashankara, around 1357-58 AD by Harihara and Bukka, the brothers who founded the Vijayanagara Empire. The temple, has a number of stone sculptures from Hindu mythology. Inscriptions in the temple record contributions made by several Vijayanagara emperors but the temple was probably built on an earlier Hoysala site as it combines Hoysala and Vijaynagara architectural features. The architecture also exhibits the astronomical expertise of medieval south Indian temple builders. The main temple hall features 12 pillars designated for the 12 signs of the Zodiac. Windows and doors along the temple walls are arranged such that the equinoxes sunrise rays reach the deity. The temple was built in the year 1338 AD. It is a unique monument built entirely of stone combining both Hoysala and Dravidian architectural styles. The structure, stand on a high plinth and commands a magnificent view from the hills and their slopes all around.

The twelve pillars in the Vidyashankar temple are popularly known as Rashistambhas (zodiacal Pillars). Symbols of the twelve divisions of the zodiac are engraved on these pillars. It is said that the design of the pillars involved certain astronomical concepts like the first rays of the rising sun fall on specific pillars with the zodiacal symbol on the pillar corresponding to the position of the sun.

How to Reach & Where to stay
KSRTC Buses operates from Bangalore. It is 95 km from Shimoga which is connected to Bangalore through bus and rail routes. Sringeri can also be reached from Mangalore which is at a distance of 105 km by road. From Udupi it is at a distance of 80 km via Hebri and Agumbe.

The town has guest houses run by the temple administration of which the details can be obtained from the Sringeri Mutt web site. There are many private lodges available as well.

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Inside the temple complex - on the left side is the Sri Sharadamba Temple
Inside the temple complex – on the left side is the Sri Sharadamba Temple
Sri Vidyashankara Temple
Sri Vidyashankara Temple
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple - Details
Sri Vidyashankara Temple – Details
Sri Vidyashankara Temple and the entrance tower in the back ground
Sri Vidyashankara Temple and the entrance tower in the back ground
View of the Tunga River from the temple complex
View of the Tunga River from the temple complex
Steps towards the river
Steps towards the river
The bridge over the Tunga River
The bridge over the Tunga River
View of the temple complex from the river
View of the temple complex from the river
The Yaga Mandapa in the complex
The Yaga Mandapa in the complex
View of the temple, entrance tower and the Yaga mandapa
View of the temple, entrance tower and the Yaga mandapa

Gallery – Malpe Fishing Harbour

Malpe is a natural port about six kilometers to the west of Udupi town in Karnataka. It is an important port and fishing harbour on the Karnataka coast. It is situated on the mouth of Malpe River. Malpe is a hub of Mogaveera population. Mogaveera were originally a fishing community, reside mainly in Dakshina Kannada. Blessed with scenic views the harobour is the hub of busy fishing and commercial activities. There are frequent local buses available from Udupi bus stand to Malpe.

Mahakuta Group of Temples – Another Chalukyan Legacy

Mahakuta group of temples are located at Mahakuta village, 15 kilometers from Badami in the Bagalkot district of Karnataka. The temples are dated to the 6th and 7th Century AD and where constructed by the early kings of the Chalukya dynasty of Badami. The temples share the common Chalukya style followed at Aihole temples. The most important temple is Mahakuteshwara temple dedicated to Lord Shiva. It was built in the Dravidian style. It has a Shiv Linga in the shrine topped by a curvilinear tower. There are many other temples in the complex. There is natural spring fed tank inside the temple complex known as Vishnu Pushkarini. This is one of the major attractions in the temple complex and you can see many people taking a holy bath in this tank.

The Mallikarjuna Temple on the other side of the tank is very similar to that of the Mahakuteshwar temple but small in size. There are around two dozen small temples in the temple complex.

Mahakuta Temple Complex - Mahakuteshwar Temple
Mahakuta Temple Complex – Mahakuteshwar Temple
Mahakuta Temple Complex - Various small shrines inside the temple complex
Mahakuta Temple Complex – Various small shrines inside the temple complex
Mahakuta Temple Complex - Carvings
Mahakuta Temple Complex – Carvings
The small Nandi shrine
The small Nandi shrine
One of the carvings on the temple walls
One of the carvings on the temple walls
Inside the temple complex
Inside the temple complex
Various Sculptures
Various Sculptures
Various Sculptures inside the complex
Various Sculptures inside the complex
Various Sculptures inside the complex
Various Sculptures inside the complex
Another view of the Temple complex - with scattered ruins
Another view of the Temple complex – with scattered ruins
The Vishnu Pushkarini inside the temple complex
The Vishnu Pushkarini inside the temple complex
The small shrine inside the tank with Shiv Linga
The small shrine inside the tank with Shiv Linga
Various temples inside the complex
Various temples inside the complex
One of the small shrines inside the complex
One of the small shrines inside the complex
Inside the temple complex
Inside the temple complex
Nandi inside the shrine
Nandi inside the shrine
Another view from the temple complex
Another view from the temple complex

How to Rach:
Mahakuta is well connected by road to Badami. There are local transport available from Badami. There are regular Autos & Tum Tum plying between Badami and Mahakuta.

Aihole & Pattadakal – The Cradle of South Indian Temple Architecture

Aihole and Pattadakal located on the banks of Malaprabha River are often considered as the cradle of South Indian architecture. The south Indian Temple architecture was experimented and evolved in these places in the 5th and 6th centuries. Once in Badami, these are a must visit for any travel enthusiast. You can visit both Aihole and Pattadakal in a single day from Badami if you set out in the early morning. It is best to start with the morning bus to Aihole (one hour). Frequent buses run between Aihole and Pattadakal (half an hour) and from Pattadakal to Badami (one hour).

AIHOLE
Aihole was earlier known as Ayyavole and Aryapura in in the ancient inscriptions. It was established in the 450 AD as the first capital of Chalukya kings and has about 125 stone temples some of which were constructed as experimental structures by artisans of Chalukayan period. The early Chalukyas inherited architectural styles largely from their neighbours to the north and south of their kingdom. The Chalukyan artisans brought together the prevailing styles in their neighbourhood to create the Chalukyan style. The prominent temple groups at Aihole are the Kontigudi group and the Galgantha group of temples, although historians have divided all the temples into 22 groups.

The most impressive temple in Aihole is Durga Temple which dates to the 7th century. It is notable for its semicircular apse which was copied from Buddhist architecture and for the remains of the curvilinear sikhara. Intricate carvings adorn the colonnaded passageway around the temple sanctuary. To the south of the Durga Temple are several other collections of temples the Gandar, Ladkhan, Kontigudi and Hucchapaya groups with pavilions and slightly sloping roofs.

Durga Temple at Aihole
Durga Temple at Aihole
Durga Temple - Front View
Durga Temple – Front View
Durga Temple
Durga Temple
Durga Temple - Carvings on the pillar
Durga Temple – Carvings on the pillar
Deurga Temple - More Views
Deurga Temple – More Views
Durga Temple - Interior
Durga Temple – Interior
Durga Temple - Interior
Durga Temple – Interior
Durga Temple - Interior view
Durga Temple – Interior view
Durga Temple - View of the ceiling
Durga Temple – View of the ceiling
Ornamental Carvings on the Pillar
Ornamental Carvings on the Pillar
The Colonnade Passage around the Durga Temple Sanctuary
The Colonnade Passage around the Durga Temple Sanctuary
Carvings inside the Durga Temple
Carvings inside the Durga Temple
Carvings inside the Temple walls
Carvings inside the Temple walls
Carvings inside the Temple Walls
Carvings inside the Temple Walls
Carvings inside the Temple
Carvings inside the Temple
Durga Temple Interior Views
Durga Temple Interior Views
Durga Temple Interior View
Durga Temple Interior View
Durga Temple - Exterior View
Durga Temple – Exterior View
Another view of the Durga Temple
Another view of the Durga Temple

Lad Khan Temple consists of a shrine with two mantapas in front of it. The shrine bears Shiva Lingam. The mukha mantapa in front of the sanctum has a set of 12 carved pillars. There are also stone grids on the wall carrying floral designs. The temple was built by the Chalukyan kings in the 5th century.

The Lad Khan Temple
The Lad Khan Temple

Ravan Phadi cave is one of the oldest rock cut temple in Aihole. The Temple dates back to the 6th century, with rectangular shrine, with two mantapas. There is a Shivlinga in the sanctum sanctorum. The walls and sides of the temple are covered with large figures including dancing Shiva.

Ravan Pahadi
Ravan Pahadi
Dancing Shiva inside Ravan Pahadi
Dancing Shiva inside Ravan Pahadi
More Carvings inside Ravan Pahadi
More Carvings inside Ravan Pahadi
More Carvings inside Ravan Pahadi
More Carvings inside Ravan Pahadi

About a kilometre from the Durga temple on a hilltop is the Jain Meguti temple. It is the only dated monument built in 634 AD. The temple sits on a raised platform, and flight of stairs leads to another shrine on the roof, directly above the main shrine. From the roof of this temple one can have panoramic view of the surrounding plain with 100 or more temples scattered all around. This temple which was probably never completed gives important evidence of the early development in Dravidian style of architecture. The inscription on the outer wall of the temple records the construction of the temple by Ravikeerthi, a scholar in the court of emperor Pulakeshin II.

Meguti Temple
Meguti Temple
Meguti Temple Compound
Meguti Temple Compound
The Inscription on the outer wall of the Temple
The Inscription on the outer wall of the Temple
View of Aihole Village from top of Meguti Temple
View of Aihole Village from top of Meguti Temple

En route to Meguti temple on the same hillock there is the 6th century two storied Buddhist cave temple which is partly a rock cut temple.

The two storied Budhist Caves
The two storied Budhist Caves
This is Raviyappa (in the middle) and his friends, the local boy whom I met around the ruins
This is Raviyappa (in the middle) and his friends, the local boy whom I met around the ruins
A typical village home at Aihole Village
A typical village home at Aihole Village
A bullock cart in front of the village home
A bullock cart in front of the village home
Another Village Home
Another Village Home
A farmer's house with all the paraphernalia
A farmer’s house with all the paraphernalia

PATTADAKAL
Pattadakal also spelled as Pattadakallu is located on the left bank of Malaprabha River and about 10 kilometres from Aihole. It is here that the Chalukyan kings were coronated. There are ten temples at Pattadakal including a Jain sanctuary belonging to various architectural styles. The Chalukyan style of temple architecture originated in Aihole and evolved their distinctive style at Pattadakal. There are many Kannada language inscriptions at Pattadakal. The site displays both Nagara and Dravidian style of architecture.

Virupaskha temple is the largest and grandest of all temples in Pattadakal built in 8th century by Queen Lokamhadevi to commemorate her husband’s (Vikramaditya II) victory over the Pallavas of Kanchi.

Sangameshvara Temple is the oldest temple in Pattadakal, built by Chalukya King Vijayaditya Satyashraya. The temple is in Dravidian style.

Mallikarjuna Temple is smaller version of the Virupaksha temple and was built by Vikramaditya’s second queen Trilokymahadevi in 745 AD.

Papanatha Temple is made in the Vesara style in 680 AD. The temple was started in Nagara style but later changed to more balance Dravidian style.

Apart from these major temples, several small Shiva shrines are seen here. The abundance of Shiva temples here clearly indicates that the place was a great Shaiva center in ancient times.

Pattadakal Temple Complex
Pattadakal Temple Complex
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal - Kashi Vishwanath Temple
Pattadakal – Kashi Vishwanath Temple
Carvings on the Temple Walls
Carvings on the Temple Walls
Pattadakal - Carvings on the Walls
Pattadakal – Carvings on the Walls
Pattadakal Group of Monuments
Pattadakal Group of Monuments
The Shiv linga inside the sanctum
The Shiv linga inside the sanctum
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal - Various sculptures
Pattadakal – Various sculptures
Pttadakal - Old Kannada Inscription
Pttadakal – Old Kannada Inscription
Pattadakal - Papanatha Temple
Pattadakal – Papanatha Temple
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Pattadakal Group of Monuments
Patadakal - More carvings
Patadakal – More carvings
Pattadakal - Carvings
Pattadakal – Carvings
S small shrine inside the temple complex
S small shrine inside the temple complex

Pattadakal - Carved pillars
Pattadakal – Carved pillars
Pattadakal - The monolithic Nandhi in one of the shrines
Pattadakal – The monolithic Nandhi in one of the shrines

Badami – The Remnants of the Chalukyan Era

Badami is located in the Bagalkot district of Northern Karnataka. It was the capital of the Chalukyas from 540 AD to 757 AD. At its height the empire was enormous, stretching from Kanchipuram in Tamil Nadu to the Narmada River in Gujarat. The Badami fort is the most famous attraction in Badami which is spread across two hills dotted with temples, fortifications, carvings and inscriptions dating not from the Chalukyan period, but also from other times when the site was occupied as fortress. In between these two hills lays Agasthya Tirtha Lake, the waters of which are believed to have healing powers. This manmade lake is named after one of the Saptarishis, Agasthya. As per legend Badami has origin in the Vatapi legend of Ramayana relating to Sage Agasthya.

The two demon siblings Vatapi and Ilvala used to kill all mendicants by tricking them in a peculiar way. The elder Ilvala would turn Vatapi into a ram and would offer its meat to the guest. As soon as the person ate the meat, Ilvala would call out the name of Vatapi. As he had a boon that whomsoever Ilvala calls would return from even the netherland, Vatapi would emerge ripping through the body of the person thus killing him. Their trick worked until Sage Agastya countered them by digesting Vatapi before Ilvala could call for him, thus ending the life of Vatapi at the hands of Ilvala. Two of the hills in Badami represent the demon Vatapi and Ilvala.

The Bhuthanatha group of temples are located on the east side of the lake and the Mallkarjuna group of temples are located on the north-east side of the lake.

Another major attraction of Badami is the four cave temples carved out of sandstone along the ravine at the foot of the rugged hill surrounding the lake. These are considered to be the best examples of Chalukyan architecture. These temples are dated to 6th to 7th centuries AD.

Cave no. 1
This cave is just above the entrance to the complex, is dedicated to Shiva. It is the oldest of the four caves, probably carved in the latter half of the 6th century. The cave depicts the Thandava dancing of Shiva as Nataraja.

Cave no. 2
The cave is primarily dedicated to Vishnu and is simpler in design. It depicts Vishnu as Trivikrama. Another depiction of Vishnu as Varaha can also be seen in this cave.

Cave no. 3
This cave was carved in 578 AD under the orders of Mangalesha, the brother of King Kirtivarma contains some carvings of Vishnu to whom the cave is dedicated. It is the largest and most intricately carved temple in the complex.

Cave no. 4
This is the smallest of the four caves and was carved between the 7th and 8th centuries. This cave is situated higher than the other caves. This one is a Jain cave and depicted Mahavira sitting on a lion throne.

The Main Entrance of the Cave Temples
The Main Entrance of the Cave Temples
Exterior of the Cave Temple Complex
Exterior of the Cave Temple Complex
Hefty Rock Formations around the Cave Temple Complex
Hefty Rock Formations around the Cave Temple Complex
Exterior of the Cave Temple Complex
Exterior of the Cave Temple Complex
Around the Cave Temple Complex
Around the Cave Temple Complex
Around the Cave Temple Complex
Around the Cave Temple Complex
Stepped Path Towards Cave no.3
Stepped Path Towards Cave no.3
View from the Cave Temple Complex
View from the Cave Temple Complex
Exterior of Cave No.4
Exterior of Cave No.4
View of Agasthya Tirtha Lake from the Cave Temple Complex
View of Agasthya Tirtha Lake from the Cave Temple Complex
Cave No.1
Cave No.1
Nataraja the Dancing Siva Depicted on Cave no.1
Nataraja the Dancing Siva Depicted on Cave no.1
Vishnu Depicted as Varaha - Cave No.2
Vishnu Depicted as Varaha – Cave No.2
Another Sculpture from Cave no.2
Another Sculpture from Cave no.2
Cave No.3
Cave No.3
Vishnu Depicted as Sitting on the Serpent Throne
Vishnu Depicted as Sitting on the Serpent Throne
Vishnu Depicted as Narasimha
Vishnu Depicted as Narasimha
Gallery inside Cave No.3
Gallery inside Cave No.3
Inside the Cave No.3
Inside the Cave No.3
The Carved Ceiling of Cave No.3
The Carved Ceiling of Cave No.3
Another View of the Carved Ceiling
Another View of the Carved Ceiling
More carvings
More carvings
More Carvings
More Carvings
More Carvings inside the Cave
More Carvings inside the Cave
More Carvings
More Carvings
An Ornamental Pillar inside the Temple
An Ornamental Pillar inside the Temple
From Cave No.4
From Cave No.4
Tirthankara Parsvanath Depicted in Cave No.4
Tirthankara Parsvanath Depicted in Cave No.4
More Carvings from Cave No.4
More Carvings from Cave No.4
Inside Cave No.4
Inside Cave No.4
Inside Cave No.4
Inside Cave No.4
The Bhuthanatha Group of Temples on the east side of the Agasthy Tirtha Lake
The Bhuthanatha Group of Temples on the east side of the Agasthy Tirtha Lake
The Mallikarjuna Group of Temples on the North East Side of the Agasthya Tirtha Lake
The Mallikarjuna Group of Temples on the North East Side of the Agasthya Tirtha Lake
Carved Walls Around the Agasthy Tirtha Lake
Carved Walls Around the Agasthy Tirtha Lake
Carved Walls Around the Agasthy Tirtha Lake
Carved Walls Around the Agasthy Tirtha Lake
Small Shrine around the Agasthya Tirtha Lake
Small Shrine around the Agasthya Tirtha Lake
Around the Agasthya Tirtha Lake
Around the Agasthya Tirtha Lake
Hefty Natural Walls of the Badami Fort
Hefty Natural Walls of the Badami Fort
More Views of the Fortifications
More Views of the Fortifications
More Views of the Fortifications
More Views of the Fortifications
More Views of the Fortification
More Views of the Fortification
No it will not fall... It is been there for many centuries
No it will not fall… It is been there for many centuries
Towards the top of the fort
Towards the top of the fort
More steps towards the top
More steps towards the top
Rock formations at the top
Rock formations at the top
This Ant Hill was at the top of the Fort
This Ant Hill was at the top of the Fort
Nature the biggest artist - A view at the top of the fort
Nature the biggest artist – A view at the top of the fort
A Small Water Body at the top of the Fort
A Small Water Body at the top of the Fort
A view of the Badami Village from the top of the Fort
A view of the Badami Village from the top of the Fort
View of the sunset from the Bhuthanatha Temple
View of the sunset from the Bhuthanatha Temple
The sunset
The sunset
Sun setting behind the Agasthya Tirtha Lake
Sun setting behind the Agasthya Tirtha Lake

KAPPE ARABHATTA INSCRIPTION
Kappe Arabhatta was a Chalukyan warrior of the 8th century who is known from a Kannada verse inscription of 700 AD, carved on a cliff overlooking the north east end of the Agasthya Tirtha lake. The inscription consists of five stanzas written out in ten lines in the Kannada script.

The Kappe Arabhatta Inscription
The Kappe Arabhatta Inscription

Getting There & Around
There are enough buses from Hubli to Badami (3hours), Bijapur to Badami (3.5hours) and from Bengaluru (12 hours). Badami’s train station is 5 km from town. For exploring the nearby areas there are Auto rikshaws available.

Anegundi – The Mythical Kishkindha Kingdom

Anegundi the picturesque village situated on the northern bank of Tungabhadra River is older than Hampi. It is believed to be Kishkindha the monkey kingdom mentioned in the epic Ramayana. Anjanadri hill in Anegundi is believed to be the birth place of Hanuman. At Anegundi there was a pre historic settlement called Onake Kindi. The rock paintings discovered in Elu gudda hill range belongs to 1500 BC. The Pampa Sarovar located in Anegundi is considered to be sacred by Hindus. Nava Brindavana located in Anegundi contains tombs of nine Hindu Madhwa Saints. Anegundi is the cradle of the Krishnadeveraya dynasty and the royal descendants of the Vijayanagara royal family are still residing there. This place is a perfect blend of mythology and history sprinkled with lush green paddy fields and huge formations of boulders.

To reach Anegundi from Hampi you can just cross over to the other side of the Tungabhadra River. The river crossing point is very near to the Virupaksha temple. There are motorboats and coracles available to cross the river. A coracle is a circular shaped country boat used to cross the river. You can call it a huge floating basket. It is made up of bamboo, cane and plastic sheets. It hardly takes five minutes to cross the river and once on the other side the best way to explore Anegundi is to hire a rikshaw for a day. I could hire a riskshaw for a day at Rs.900/-. Mr. Basha the driver was a very nice person and was very co-operative and helpful in exploring all the major attractions of Anegundi. He is highly recommended and can be contacted on his mobile no. 09480561368.

The River Crossing Point
The River Crossing Point
From the crossing point you can see the Virupaksha Temple tower and the bathing ghats.
From the crossing point you can see the Virupaksha Temple tower and the bathing ghats.
River Tungabhadra gushing through the boulders
River Tungabhadra gushing through the boulders
A Pavilion at the crossing point
A Pavilion at the crossing point
Boulder and boulders all around
Boulder and boulders all around
This sculpture is on a vertical rock near the crossing area
This sculpture is on a vertical rock near the crossing area
Coracles and motor boat at the crossing area
Coracles and motor boat at the crossing area

ANJANADRI HILL
In local language it is called Anjanadri Betta, believed to be the birth place of lord Hanuman. It is located 3 kms west of Anegundi village. One has to climb about 600 steps to reach the summit, sometimes literally crawling below hanging boulders. The whole place is filled with mischievous monkeys, so be careful if you are carrying any food items with you. The Anjaneya temple is at the edge of the cliff. The view from top is really incredible with green patches of paddy fields and coconut plantation with mighty Tungabhadra flowing in between. From the top you can even see the far away Matanga hill on the Hampi side.

The Stepped Path to the Anjanadri Hill
The Stepped Path to the Anjanadri Hill
More Steps....
More Steps….
Some time you have to crawl below these boulders
Some time you have to crawl below these boulders
The Stepped Path
The Stepped Path
Finally at the top of the Hill
Finally at the top of the Hill
The Anjaneya Temple at the edge of the cliff
The Anjaneya Temple at the edge of the cliff
The breath taking view from the top of Anjanadri Hill
The breath taking view from the top of Anjanadri Hill
Another View from the top of Anjanadri Hill
Another View from the top of Anjanadri Hill
Coconut plantations and paddy fields as seen from the top
Coconut plantations and paddy fields as seen from the top
You can see River Tungabhadra and the distant hills
You can see River Tungabhadra and the distant hills
From the top you could see the orange painted zigzag stepped path
From the top you could see the orange painted zigzag stepped path
The strange boulder formations
The strange boulder formations

PAMPA SAROVAR
Pampa Sarovar is a sacred pond mentioned in the scriptures and located next to the temple of Lord Shiva and his consort Pampa an incarnation of goddess Parvathi. The pond and the temple are hidden in a valley surrounded by boulder hills on three sides. The rectangular pond was fully covered by lotus until recently it was cleaned. From the base of the Anjanadri Hill when you go to Pampa Sarovar you will pass by the remains of the ancient aqueduct which is known as the Bukka’s Aqueduct.

The Bukka's aqueduct on the way to Pampa Sarovar
The Bukka’s aqueduct on the way to Pampa Sarovar
Pampa Sarovar
Pampa Sarovar
Temple Near the Pampa Sarovar
Temple Near the Pampa Sarovar

DURGA TEMPLE & ANEGUNDI FORT
From Pampa Sarovar we proceeded to the Durga Temple. From behind the Durga Temple a stepped path will lead you to the ancient Anegundi fort. There is very little left of the ancient fort except the main gate. Once you enter the gate and climb further through the boulder strewn path you will reach the edge of the cliff from where you can have an aerial view of the Pampa Sarovar.

The Durga Temple
The Durga Temple
See the coconuts hanged on the tree in front of the Durga Temple
See the coconuts hanged on the tree in front of the Durga Temple
The Main Entrance of the Anegundi Fort
The Main Entrance of the Anegundi Fort
The remains of the ancient fortification
The remains of the ancient fortification
The cave supposed to be of Vaali of Ramayana
The cave supposed to be of Vaali of Ramayana
The boulder formations
The boulder formations
The boulder formations
The boulder formations
More boulders on the way
More boulders on the way
Boulders everywhere
Boulders everywhere
Aerial view of the Pampa Sarovar from the cliff
Aerial view of the Pampa Sarovar from the cliff

GAGAN MAHAL & RANGANATHA TEMPLE
Right in the middle of the Anegundi village is the structure called Gagan Mahal, the ancient palace of the Vijayanagara rulers. Now this once abode of the kings and Queens serves as the local administrative building. The whole structure is in semi ruined state. Next to Gagan Mahal is the ancient Ranganatha Temple dedicated to Lord Vishnu

Gagan Mahal
Gagan Mahal
The Ranganatha Temple
The Ranganatha Temple
The Temple Chariot in front of the Ranganatha Temple
The Temple Chariot in front of the Ranganatha Temple

NAVABRINDAVANAM & RIVERSIDE ATTRACTIONS
Navabrindavanam is a small island in the Tungabhadra River situated near to Anegundi village. There are motor boats and coracles available to reach there from the jetty near Anegundi village. This five minutes boat ride will offer you the scenic views of the river and the surroundings. Navabrindavanam is a major pilgrimage centre for the followers of Shri Raghavendra. It has the samadhis of nine Madhwa saints, followers of Madhavacharya and predecessors of Raghavendra. Near to the jetty you will see a mandapa with 64 pillars believed to be the tomb of Krisnadevaraya. King Krishnadevaraya was known to be a master in 64 various arts (vidyas) and hence these 64 pillars are erected on his tomb. Half a kilometre away from the jetty there is a small temple and a cave. It is believed that Lord Rama shot the arrow from here which killed Vaali the monkey king of Kishkindha.

The Boat Jetty for Navabrindavana at Anegundi Village
The Boat Jetty for Navabrindavana at Anegundi Village
On the way to Navabrindavana
On the way to Navabrindavana
The Navabrindavana where you can see the Tombs of the Saints
The Navabrindavana where you can see the Tombs of the Saints
The Names of the Saints Painted on the Wall
The Names of the Saints Painted on the Wall
The View from Navabrindavana
The View from Navabrindavana
Picturesque view of the river and surroundings
Picturesque view of the river and surroundings
The river with the backdrop of rocks
The river with the backdrop of rocks
Another view of the river
Another view of the river
The Mandapa with 64 pillars believed to be the tomb of Krishnadevaraya
The Mandapa with 64 pillars believed to be the tomb of Krishnadevaraya
The Cave Temple
The Cave Temple
Carvings on the rock
Carvings on the rock
This is the place from where Lord Ram believed to have shot the arrow which killed Vaali
This is the place from where Lord Ram believed to have shot the arrow which killed Vaali
More views of the river
More views of the river
View of the River from the Cave Temple
View of the River from the Cave Temple

THE ROCK PAINTINGS OF ONAKE KINDI
Our next destination is Onake Kindi the pre historic settlement, famous for its rock paintings dating back to 2000 BCE. My guide cum driver Basha drove through the paddy fields and coconut plantations and suddenly stopped below a coconut tree on the side of the road. Surprisingly there are no signboards to guide you. From there we walked through the fields and reached a small path leading to an enclosure surrounded by huge boulders on all the sides. Yes we are three. The paintings depict humans, cattle and hunting scenes. There are also paintings depicting of mystic and geometric designs. The paintings reminded me of the rock paintings of Bhimbetka which are 40,000 years old.

Rock Paintings
Rock Paintings
Rock Painting
Rock Painting
Rock Paintings
Rock Paintings
Rock Paintings
Rock Paintings
Rock Paintings
Rock Paintings
Rock Paintings
Rock Paintings

SANAPUR LAKE
From the cave paintings we proceeded to Sanapur Lake. The road was scenic with the lush green paddy fields and banana plantation. Also the lake was huge and picturesque with full of water and hill in the backdrop. This place is a must visit in Anegundi. There are coracle ride available in the lake. I saw many people swimming in the waters of the lake mostly foreigners. To my amazement I noticed a signboard warning about crocodiles in the waters!!!!

View on the way to the Lake
View on the way to the Lake
Paddy Fields
Paddy Fields
Paddy Fields after Harvest
Paddy Fields after Harvest
Sanapur Lake
Sanapur Lake
Sanapur Lake
Sanapur Lake
Boulder formation around the lake
Boulder formation around the lake
Sanapur Lake
Sanapur Lake
The huge warning sign on the rocks !!!!
The huge warning sign on the rocks !!!!
Spectacular view of the paddy fields
Spectacular view of the paddy fields
Spectacular view of the paddy fields
Spectacular view of the paddy fields

By 5.30PM I was dropped at the river crossing point to Hampi, after a memorable journey through Kishkindha the land of the monkeys.